Kang Yuni, “In the Shadow of Sōshi Kaimei: Imposed and Adopted Names in Yū Miri’s The End of August”

In Andre Haag, Catherine Ryu, and Christina Yi, eds., Passing Posing, Persuasion: Cultural Production and Coloniality in Modern Japan. (link) Excerpt from Translator’s Introduction: In the history of Zainichi critical discourse on names, passing, and sōshi kaimei (lit. “establishing family names and changing given names”), the dominant lens on these questions has been that of…

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